Basic and Clinical Neuroscience Journal
مجله علوم اعصاب پایه و بالینی
BCN
Medical Sciences
http://bcn.iums.ac.ir
137
journal137
2008-126X
2228-7442
10.32598/bcn
en
jalali
1390
7
1
gregorian
2011
10
1
3
1
online
1
fulltext
en
Homayoun as a Persian Music Scale on Non-Musician’s Brain: an fMRI Study
Clinical Neuroscience
Clinical Neuroscience
Original
Original
<p align="left" ><font color="#221e1f" size="2"><font color="#221e1f" size="2"><p align="left" ><p><b><font color="#221e1f" size="2"><font color="#221e1f" size="2">Introduction: </font></font><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2">The aim of this study was to get to a neurological evaluation of one of the Persian music scales, Homayoun, on brain activation of non-musician subjects. We selected this scale because Homayoun is one of the main scales in Persian classical music which is similar to minor mode in western scales. </font></font></font><b><font color="#221e1f" size="2"><font color="#221e1f" size="2"><p align="justify">Methods: </p></font></font><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2">This study was performed on 19 right handed subjects, Aging 22-31. Here some pieces from Homayoun Dastgah are used in both rhythmic and non-rhythmic. </font></font></font><b><font color="#221e1f" size="2"><font color="#221e1f" size="2"><p align="justify">Result: </p></font></font><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2">The results of this study revealed the brain activities for each of rhythmic and non-rhythmic versions of Homayoun Dastgah. The activated regions for non-rhythmic Homayoun contained: right and left Subcallosal Cortex, left Medial Frontal cortex, left anterior Cingulate Gyrus, left Frontal Pole and for rhythmic Homayoun contained: left Precentral Gyrus, left Precuneous Cortex, left anterior Supramarginal, left Superior Parietal Lobule, left Postcentral Gyrus. Also, we acquired amygdala area in both pieces of music. </font></font></font><b><font color="#221e1f" size="2"><font color="#221e1f" size="2"><p>Discussion: </p></font></font><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2"><font color="#221e1f" face="Times New Roman,Times New Roman" size="2">Based on arousal effects of rhythm and Damasio's somatic marker hypothesis, non-rhythmic Homayoun activates regions related to emotion and thinking while activity of rhythmic Homayoun is related to areas of movement and motion. </font></font></font></b></b></b></b></p></font></font>
Persian Music,Homayoun,Rhythm,Brain,fMRI.
22
29
http://bcn.iums.ac.ir/browse.php?a_code=A-10-1-86&slc_lang=en&sid=1
Farzaneh
Pouladi
1370031947532846001452
1370031947532846001452
Yes
Habib
Ganjgahi
1370031947532846001453
1370031947532846001453
No
Ali
Zadehmohammadi
1370031947532846001454
1370031947532846001454
No
Mohammad Ali
Oghabian
1370031947532846001455
1370031947532846001455
No